VISUAL COMMUNICATION | ||||||||||||||||||||||
BA 2 | ||||||||||||||||||||||
code | subject name | ECTS | type of class | type of examination | lecturer | additional info | ||||||||||||||||
THE DEPARTMENT'S SPECIALTY SUBJECTS | ||||||||||||||||||||||
Specialty subjects in the student's chosen subfield. These subjects account for a significant part of the total semester or study year programme percentage. | ||||||||||||||||||||||
MākZ2670 | Composition in Electronic Art | 3 | The goal of the course is to master the creative process of contemporary art; to understand and apply the language of contemporary art. To master and learn to use digital media professionally in one's creative practice. At the end of this course, the student has mastered a process that results in a self-sufficient work of contemporary art. | Lecture, practical work | Assessment show | Raitis Šmits | ||||||||||||||||
MākZ2671 | Interactive Technologies | 3 | This course focuses on an in-depth exploration of digital culture and the use of interactive technology in creative work. Students are introduced to the necessary software (Arduino). Students work on developing their own interactive creative work. | Lecture, practical work | Assessment show | Kristaps Biters | ||||||||||||||||
MākZ3461 | Work in Material | 3 | The course acquaints students with different screen printing principles: from simplest to technical and more sophisticated. The process of photosensitive exposure. Different kinds of screen printing stencil preparation. Types of printing surfaces and materials. Experiments (deviations from the norm) in the screen printing process. | Lecture, practical work | Assessment show | Jānis Murovskis | ||||||||||||||||
MākZ3464 | Communication Graphic | 1,5 | The course incorporates
theoretical lectures, study discussions, and workshops. The theoretical
lectures and seminars in the first semester introduce the basic principles of
design graphics. |
Lecture, practical work | Assessment show | Armands Zelčs | ||||||||||||||||
MākZ1553 | Typography | 3 | During the first semester special attention is given to text layout and font selection, as well as their role in graphic design. Fonts and their stylistics are examined. Students are introduced to the basic principles of graphic composition. | Lecture, practical work | Assessment show | Mārtiņš Ratniks | ||||||||||||||||
MākZ2606 | Digital Video Editing | 1,5 | During this semester students become acquainted with the history of analog and digital film editing and the specifics of digital editing software, and they edit their own video footage (30120 sec). | Lecture, practical work | Assessment show | Aldis Kopštāls | ||||||||||||||||
MākZ3463 | 3D Computer Studies | 1,5 | During this semester students become acquainted with the environment of 3D programs and can model objects; they know the possibilities of corporeity representation, creation of lights and darks, and acquisition of still images. | Lecture, practical work | Assessment show | Aldis Kopštāls | ||||||||||||||||
GENERAL ART SUBJECTS | ||||||||||||||||||||||
Students of all disciplines take general art subjects to gain
skills and understanding of academic drawing, painting, and sculpture. Study
assignments are designed to provide students with an opportunity to learn
about proportions, scale, and relationships between light and dark, and
creatively interpret the given setting and assignment at the same time. If a
department does not offer any of the general art subjects (drawing, painting,
modeling), it is possible to take it by joining another department or
course. |
The department teaching the subject assesses the student's skill level and individually adjusts the assignments. | |||||||||||||||||||||
MākZ2052 | Painting | 3 | The aim of the course is to develop painting as a complementary skill to other skills acquired in the department. The course content consists of assignments set by the lecturers, which may be related to the subject of still life or any other task, which students complete individually. Painting from nature is not primary. | Practical work | Assessment show | |||||||||||||||||
MākZ2050 | Drawing | 3 | Standing nude figure. Composition. Understanding the proportions of the figure. Dimensional drawing. Pencil, A2 paper. | Practical and individual work | Assessment show | |||||||||||||||||
MākZ2050 | Sketching | There are no separate credits for sketching; students are marked for the Drawing course | Sketching the human figure for 5, 10, 15 minutes. Objective: the act of drawing using various materials (charcoal pencil, pencil, felt-tip pen, sepia, acrylic, ink, etc.), developing visual perception, transferring it to the sketch. Results to be achieved: a developed ability to understand proportion and to create individual handwriting in drawing using a variety of materials, taking a step back from the classical academic drawing. |
Individual work | Assessment show | An individual class without a lecturer | ||||||||||||||||
HUMANITIES SUBJECTS | ||||||||||||||||||||||
As theoretical lectures are delivered to the students of the Art Academy of Latvia in Latvian, some theoretical subjects in English are offered separately to the visiting students. | ||||||||||||||||||||||
MākZ1687 | Art History of Latvia | 6 | The course is taught to Erasmus+ students, and its purpose is to give an insight into and a general idea of the development of Latvian art history in a cultural and historical context. Alongside art history, the course provides basic knowledge of Latvian history, ethnography, and architectural history. The lecture course chronologically covers the period from prehistory to the 20th century. Visits to exhibitions and museums are organized as part of the course to broaden and improve students' knowledge and to promote connection with contemporary cultural progress. | Lecture, visits to exhibitions and cultural sites | Written course paper | Ieva Rosne | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1686 | Theory of Contemporary Art | 3 | The academic course deals with all the significant events in recent art history, starting from the international conceptual tendencies in the 60s, like land art, minimalism, Art Povera, Nouveaux Réalisme, Fluxus, and others, the postmodern narratives in the 80s and the 90s. The final part will be dedicated to the actual debates in the global contemporary art scene. Each lecture will be accompanied by rich visual materials, including films originating from museums. After finishing the course, the students will be able to recognize the most prominent personalities and their most iconic artworks. | Lecture, visits to exhibitions and cultural sites | Presentation | Raimonds Kalējs | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1677 | Anatomy | 1,5 | Digitalized and interactive anatomy for art and design students to improve their drawing, painting, and sketching skills in anatomy. Based on Anatomy Next anatomy learning tools for students and teachers. Anatomy Next is a very successful, world-known educational technology start-up to help students learn anatomy faster and more efficiently. | Lecture | Test | Uldis Zariņš | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1376 | Art Pedagogy in a Cultural Environment | 3 | The course prepares students to conduct practical visual arts lectures in art exhibitions or a broader cultural environment. Such an experience is useful in any art communication process. Graduates will gain hands-on experience in discussing art with people of all ages, conducting informal art classes, and evaluating the learning process. | Practical work, seminar or discussion | Presentation | Ilze Vītola | Special subject for Erasmus+ students. | |||||||||||||||
ELECTIVE SUBJECTS OFFERED TO ERASMUS+ VISITING STUDENTS | ||||||||||||||||||||||
Elective subjects for Erasmus+ visiting students offered by different departments in different specialties. The list of available elective subjects will be published shortly before the start of the semester with online registration. The number of elective subjects depends on the number of remaining ECTS required for the student after the student's basic curriculum of the department's specialty subjects, general art subjects, and humanities subjects has been approved by the department. | ||||||||||||||||||||||
BA 3 | ||||||||||||||||||||||
code | subject name | ECTS | type of class | type of examination | lecturer | additional info | ||||||||||||||||
THE DEPARTMENT'S SPECIALTY SUBJECTS | ||||||||||||||||||||||
Specialty subjects in the student's chosen subfield. These subjects account for a significant part of the total semester or study year programme percentage. | ||||||||||||||||||||||
MākZ3558 | Media Composition | 4,5 | Development of the creative task using different audiovisual composition elements. Work in groups. During the course students take the necessary steps to create video work. Starting with sound composition, video filming and editing, making image adjustments and adding a layer of motion graphics. During the course students learn the basic principles of sound editing and composition, acquire knowledge of various video formats and develop creativity and skills in video composition. | Lecture, seminar, practical work | Assessment show | Mārtiņš Ratniks | ||||||||||||||||
MākZ5120 | Interactive Technologies | 3 | This course focuses on an in-depth exploration of digital culture and the use of interactive technology in creative work. Students are introduced to the necessary software (Arduino, Unity). Students work on developing their own interactive creative work. | Lecture, practical work | Assessment show | Kristaps Biters | ||||||||||||||||
MākZ5049 | Work in Material | 3 | The course acquaints students with different screen printing principles: from simplest to technical and more sophisticated. The process of photosensitive exposure. Different kinds of screen printing stencil preparation. Types of printing surfaces and materials. Experiments (deviations from the norm) in the screen printing process. | Lecture, practical work | Assessment show | Jānis Murovskis | ||||||||||||||||
MākZ3579 | Typography | 3 | This course introduces typography as an important component of visual communication its creative, functional and aesthetic significance. Students explore the anatomy of a typeface and the history of the development of Latin writing, learn terms, constructive components, aesthetic and emotional aspects. In the practical part of the course students use the acquired knowledge and skills and apply the principles of Latin writing. The result is a new visual language based on the Latin script. | Lecture, individual work, discussion | Assessment show | Ivs Zenne | ||||||||||||||||
MākZ3046 | Introduction to WEB Design | 1,5 | This is a project-based course that teaches students to plan, design and build a simple website. Students learn how to select and adapt the content (text, images, multimedia) for the website and how to design and structure key elements (header, navigation, content area, footer). During the first semester students create the website's layout and graphic design. | Lecture, practical work | Assessment show | Raitis Šmits | ||||||||||||||||
MākZ3599 | 3D Computer Studies | 3 | During this semester students learn to combine footage with 3D models using a 3D program environment; motion tracking, object tracking (MotionTracker, ObjectTracker). Finally, students create a video (30120 sec). | Lecture, practical work | Assessment show | Aldis Kopštāls | ||||||||||||||||
THE DEPARTMENT'S ELECTIVE SUBJECTS | ||||||||||||||||||||||
Specialty subjects that can be taken in addition to the basic study programme. | ||||||||||||||||||||||
MākZ5144 | Sound Composition | 1,5 | In-depth study and exploration of sound as a medium. Sound recording, processing and playback. Working with Sound Processing and Production Programs (Adobe Audition, Ableton Live). | Lecture, practical work | Assessment show | Reinis Semēvics | ||||||||||||||||
MākZ5115 | Text & Image | 3 | Creating visual stories through personal observation. Collecting and structuring informative material. Development of an image series, establishment of personal style. Interaction between students' own illustrations and text. Basics of Riso printing. | Lecture, practical work | Assessment show | Maija Kurševa | ||||||||||||||||
GENERAL ART SUBJECTS | ||||||||||||||||||||||
Students of all disciplines take general art subjects to gain skills and understanding of academic drawing, painting, and sculpture. Study assignments are designed to provide students with an opportunity to learn about proportions, scale, and relationships between light and dark, and creatively interpret the given setting and assignment at the same time. If a department does not offer any of the general art subjects (drawing, painting, modeling), it is possible to take it by joining another department or course. | The department teaching the subject assesses the student's skill level and individually adjusts the assignments. | |||||||||||||||||||||
Drawing | 3 | Large-format drawings. Same task as for painters, sculptors, and graphic artists. | Practical and individual work | Assessment show | Elective subject | |||||||||||||||||
Sketching | There are no separate credits for sketching; students are marked for the Drawing course | Sketching the human figure for 5, 10, 15 minutes. Objective: the act of drawing using various materials (charcoal pencil, pencil, felt-tip pen, sepia, acrylic, ink, etc.), developing visual perception, transferring it to the sketch. Results to be achieved: a developed ability to understand proportion and to create individual handwriting in drawing using a variety of materials, taking a step back from the classical academic drawing. |
Individual work | Assessment show | An individual class without a lecturer | Elective subject | ||||||||||||||||
HUMANITIES SUBJECTS | ||||||||||||||||||||||
As theoretical lectures are delivered to the students of the Art Academy of Latvia in Latvian, some theoretical subjects in English are offered separately to the visiting students. | ||||||||||||||||||||||
MākZ1687 | Art History of Latvia | 6 | The course is taught to Erasmus+ students, and its purpose is to give an insight into and a general idea of the development of Latvian art history in a cultural and historical context. Alongside art history, the course provides basic knowledge of Latvian history, ethnography, and architectural history. The lecture course chronologically covers the period from prehistory to the 20th century. Visits to exhibitions and museums are organized as part of the course to broaden and improve students' knowledge and to promote connection with contemporary cultural progress. | Lecture, visits to exhibitions and cultural sites | Written course paper | Ieva Rosne | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1686 | Theory of Contemporary Art | 3 | The academic course deals with all the significant events in recent art history, starting from the international conceptual tendencies in the 60s, like land art, minimalism, Art Povera, Nouveaux Réalisme, Fluxus, and others, the postmodern narratives in the 80s and the 90s. The final part will be dedicated to the actual debates in the global contemporary art scene. Each lecture will be accompanied by rich visual materials, including films originating from museums. After finishing the course, the students will be able to recognize the most prominent personalities and their most iconic artworks. | Lecture, visits to exhibitions and cultural sites | Presentation | Raimonds Kalējs | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1677 | Anatomy | 1,5 | Digitalized and interactive anatomy for art and design students to improve their drawing, painting, and sketching skills in anatomy. Based on Anatomy Next anatomy learning tools for students and teachers. Anatomy Next is a very successful, world-known educational technology start-up to help students learn anatomy faster and more efficiently. | Lecture | Test | Uldis Zariņš | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1376 | Art Pedagogy in a Cultural Environment | 3 | The course prepares students to conduct practical visual arts lectures in art exhibitions or a broader cultural environment. Such an experience is useful in any art communication process. Graduates will gain hands-on experience in discussing art with people of all ages, conducting informal art classes, and evaluating the learning process. | Practical work, seminar or discussion | Presentation | Ilze Vītola | Special subject for Erasmus+ students. | |||||||||||||||
ELECTIVE SUBJECTS OFFERED TO ERASMUS+ VISITING STUDENTS | ||||||||||||||||||||||
Elective subjects for Erasmus+ visiting students offered by different departments in different specialties. The list of available elective subjects will be published shortly before the start of the semester with online registration. The number of elective subjects depends on the number of remaining ECTS required for the student after the student's basic curriculum of the department's specialty subjects, general art subjects, and humanities subjects has been approved by the department. | ||||||||||||||||||||||
BA 4 | ||||||||||||||||||||||
code | subject name | ECTS | type of class | type of examination | lecturer | additional info | ||||||||||||||||
THE DEPARTMENT'S SPECIALTY SUBJECTS | ||||||||||||||||||||||
Specialty subjects in the student's chosen subfield. These subjects account for a significant part of the total semester or study year programme percentage. | ||||||||||||||||||||||
MākZ7463 | Composition | 4,5 | Students develop their artistic practice, improve visual expression techniques, as well as justify their choice and use of visual means of expression in their creative work. | Lecture, individual work, discussion | Assessment show | Guest lecturer | ||||||||||||||||
MākZ4170 | Media Composition | 4,5 | Development of the creative assignment using different audiovisual composition elements. Students use found images and footage as materials for their video. During the course students are introduced to various methods of sampling, remixing and visual appropriation, acquire knowledge of various video formats, develop creativity and skills in video composition. | Lecture, seminar, practical work | Assessment show | Mārtiņš Ratniks | ||||||||||||||||
MākZ7397 | Mixed Media Composition | 3 | This course offers students the opportunity to explore and develop their abilities outside of a specific discipline. The course focuses on creativity and individuality. Critical discussions and theoretical debates are an opportunity to develop one's own, individual perspective. The students' technical knowledge is improved by complementary lectures, which allow them to acquire skills for working with different types of devices. Contextual studies of selected topics, based on experimentation with ideas, are examined in interactive discussions in the lecturer's presence. | Lecture, individual work, discussion | Assessment show | Armands Zelčs | ||||||||||||||||
MākZ7360 | Specialty Studies | 3 | In this course students work to define the context of their creative work, write their work concepts, analyze and critically evaluate their creative work in the context of contemporary art and theory. In the practical part of the course students develop a portfolio of their creative work, write a concept for new work, prepare information for social and mass media, document their creative work and give a public presentation of their work during review lecture. | Lecture, seminar, discussion | Assessment show | Līga Marcinkeviča | ||||||||||||||||
GENERAL ART SUBJECTS | ||||||||||||||||||||||
Students of all disciplines take general art subjects to gain
skills and understanding of academic drawing, painting, and sculpture. Study
assignments are designed to provide students with an opportunity to learn
about proportions, scale, and relationships between light and dark, and
creatively interpret the given setting and assignment at the same time. If a
department does not offer any of the general art subjects (drawing, painting,
modeling), it is possible to take it by joining another department or
course. |
The department teaching the subject assesses the student's skill level and individually adjusts the assignments. | |||||||||||||||||||||
Drawing | 3 | Large-format drawings. Same task as for painters, sculptors, and graphic artists. | Practical and individual work | Assessment show | Elective subject | |||||||||||||||||
Sketching | There are no separate credits for sketching; students are marked for the Drawing course | Sketching the human figure for 5, 10, 15 minutes. Objective: the act of drawing using various materials (charcoal pencil, pencil, felt-tip pen, sepia, acrylic, ink, etc.), developing visual perception, transferring it to the sketch. Results to be achieved: a developed ability to understand proportion and to create individual handwriting in drawing using a variety of materials, taking a step back from the classical academic drawing. |
Individual work | Assessment show | An individual class without a lecturer | Elective subject | ||||||||||||||||
HUMANITIES SUBJECTS | ||||||||||||||||||||||
As theoretical lectures are delivered to the students of the Art Academy of Latvia in Latvian, some theoretical subjects in English are offered separately to the visiting students. | ||||||||||||||||||||||
MākZ1687 | Art History of Latvia | 6 | The course is taught to Erasmus+ students, and its purpose is to give an insight into and a general idea of the development of Latvian art history in a cultural and historical context. Alongside art history, the course provides basic knowledge of Latvian history, ethnography, and architectural history. The lecture course chronologically covers the period from prehistory to the 20th century. Visits to exhibitions and museums are organized as part of the course to broaden and improve students' knowledge and to promote connection with contemporary cultural progress. | Lecture, visits to exhibitions and cultural sites | Written course paper | Ieva Rosne | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1686 | Theory of Contemporary Art | 3 | The academic course deals with all the significant events in recent art history, starting from the international conceptual tendencies in the 60s, like land art, minimalism, Art Povera, Nouveaux Réalisme, Fluxus, and others, the postmodern narratives in the 80s and the 90s. The final part will be dedicated to the actual debates in the global contemporary art scene. Each lecture will be accompanied by rich visual materials, including films originating from museums. After finishing the course, the students will be able to recognize the most prominent personalities and their most iconic artworks. | Lecture, visits to exhibitions and cultural sites | Presentation | Raimonds Kalējs | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1677 | Anatomy | 1,5 | Digitalized and interactive anatomy for art and design students to improve their drawing, painting, and sketching skills in anatomy. Based on Anatomy Next anatomy learning tools for students and teachers. Anatomy Next is a very successful, world-known educational technology start-up to help students learn anatomy faster and more efficiently. | Lecture | Test | Uldis Zariņš | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1376 | Art Pedagogy in a Cultural Environment | 3 | The course prepares students to conduct practical visual arts lectures in art exhibitions or a broader cultural environment. Such an experience is useful in any art communication process. Graduates will gain hands-on experience in discussing art with people of all ages, conducting informal art classes, and evaluating the learning process. | Practical work, seminar or discussion | Presentation | Ilze Vītola | Special subject for Erasmus+ students. | |||||||||||||||
ELECTIVE SUBJECTS OFFERED TO ERASMUS+ VISITING STUDENTS | ||||||||||||||||||||||
Elective subjects for Erasmus+ visiting students offered by different departments in different specialties. The list of available elective subjects will be published shortly before the start of the semester with online registration. The number of elective subjects depends on the number of remaining ECTS required for the student after the student's basic curriculum of the department's specialty subjects, general art subjects, and humanities subjects has been approved by the department. | ||||||||||||||||||||||
MA 1 | ||||||||||||||||||||||
code | subject name | ECTS | type of class | type of examination | lecturer | additional info | ||||||||||||||||
THE DEPARTMENT'S SPECIALTY SUBJECTS | ||||||||||||||||||||||
Specialty subjects in the student's chosen subfield. These subjects account for a significant part of the total semester or study year programme percentage. | ||||||||||||||||||||||
MākZ6A25 | Mixed Media Composition | 3 | This course offers students the opportunity to explore and develop their abilities outside of a specific discipline. The course focuses on creativity and individuality. Critical discussions and theoretical debates are an opportunity to develop one's own, individual perspective. The students' technical knowledge is improved by complementary lectures, which allow them to acquire skills for working with different types of devices. Contextual studies of selected topics, based on experimentation with ideas, are examined in interactive discussions in the lecturer's presence. | Lecture, individual work, discussion | Assessment show | Armands Zelčs | ||||||||||||||||
MākZ6996 | Composition / Interactive Media | 4,5 | During this semester students study the creative research process through interactive communication. They create an interactive composition assignment that focuses on the combination of idea and form. The final work, whether virtual or real, has interaction elements between the work itself and the viewer. | Lecture, practical work | Assessment show | Aldis Kopštāls | ||||||||||||||||
MākZ6434 | Composition / Silkscreen | 3 | The course acquaints students with different screen printing principles: from simplest to technical and more sophisticated. The process of photosensitive exposure. Different kinds of screen printing stencil preparation. Types of printing surfaces and materials. Experiments (deviations from the norm) in the screen printing process. | Lecture, practical work | Assessment show | Jānis Murovskis | ||||||||||||||||
MākZ6436 | Media Composition | 3 | Development of the creative assignment using different audiovisual composition methods. The expected result is a video composition or video installation project. Preliminary knowledge of video production technology is required. | Seminar, discussion, individual work | Assessment show | Mārtiņš Ratniks | ||||||||||||||||
MākZ6441 | Composition in Electronic Art | 3 | Thoroughly master the process of creating electronic media art, its specifics and context. To master and know how to use different means and technologies of electronic contemporary art expression. (360° video and audio, photogrammetry, 3D printing, data visualization). Learning and applying art research methods. Additionally, to become acquainted with current electronic media art ideas and theories. | Lecture, practical work | Assessment show | Raitis Šmits | Bachelor's degree in visual arts or design is required. Basic knowledge of two-dimensional computer graphics, digital photo, video, and audio technologies, as well as basic knowledge of network technologies (HTML, CSS) is required. | |||||||||||||||
MākZ6999 | Interactive Media / Technology | 3 | This course focuses on an in-depth exploration of digital culture and the use of interactive technology in creative work. Students are introduced to the necessary software (Arduino, Unity). Students work on developing their own interactive creative work. | Lecture, practical work | Assessment show | Kristaps Biters | ||||||||||||||||
GENERAL ART SUBJECTS | ||||||||||||||||||||||
Students of all disciplines take general art subjects to gain
skills and understanding of academic drawing, painting, and sculpture. Study
assignments are designed to provide students with an opportunity to learn
about proportions, scale, and relationships between light and dark, and
creatively interpret the given setting and assignment at the same time. If a
department does not offer any of the general art subjects (drawing, painting,
modeling), it is possible to take it by joining another department or
course. |
The department teaching the subject assesses the student's skill level and individually adjusts the assignments. | |||||||||||||||||||||
Drawing | 3 | Large-format drawings. Same task as for painters, sculptors, and graphic artists. | Practical and individual work | Assessment show | Elective subject | |||||||||||||||||
Sketching | There are no separate credits for sketching; students are marked for the Drawing course | Sketching the human figure for 5, 10, 15 minutes. Objective: the act of drawing using various materials (charcoal pencil, pencil, felt-tip pen, sepia, acrylic, ink, etc.), developing visual perception, transferring it to the sketch. Results to be achieved: a developed ability to understand proportion and to create individual handwriting in drawing using a variety of materials, taking a step back from the classical academic drawing. |
Individual work | Assessment show | An individual class without a lecturer | Elective subject | ||||||||||||||||
HUMANITIES SUBJECTS | ||||||||||||||||||||||
As theoretical lectures are delivered to the students of the Art Academy of Latvia in Latvian, some theoretical subjects in English are offered separately to the visiting students. | ||||||||||||||||||||||
MākZ1687 | Art History of Latvia | 6 | The course is taught to Erasmus+ students, and its purpose is to give an insight into and a general idea of the development of Latvian art history in a cultural and historical context. Alongside art history, the course provides basic knowledge of Latvian history, ethnography, and architectural history. The lecture course chronologically covers the period from prehistory to the 20th century. Visits to exhibitions and museums are organized as part of the course to broaden and improve students' knowledge and to promote connection with contemporary cultural progress. | Lecture, visits to exhibitions and cultural sites | Written course paper | Ieva Rosne | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1686 | Theory of Contemporary Art | 3 | The academic course deals with all the significant events in recent art history, starting from the international conceptual tendencies in the 60s, like land art, minimalism, Art Povera, Nouveaux Réalisme, Fluxus, and others, the postmodern narratives in the 80s and the 90s. The final part will be dedicated to the actual debates in the global contemporary art scene. Each lecture will be accompanied by rich visual materials, including films originating from museums. After finishing the course, the students will be able to recognize the most prominent personalities and their most iconic artworks. | Lecture, discussion | Presentation | Raimonds Kalējs | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1677 | Anatomy | 1,5 | Digitalized and interactive anatomy for art and design students to improve their drawing, painting, and sketching skills in anatomy. Based on Anatomy Next anatomy learning tools for students and teachers. Anatomy Next is a very successful, world-known educational technology start-up to help students learn anatomy faster and more efficiently. | Lecture | Uldis Zariņš | Special subject for Erasmus+ students. | ||||||||||||||||
MākZ6753 | Critical Design | 3 | The course provides a general insight into design progress, starting from the '90s, introduces major developments in design thinking and approach, and provides an in-depth look at the "Critical Design" trend that emerged during this period. Throughout the course, students are introduced to the concept of critical design, its goals and techniques, and discuss the specifics of design as an information medium. The course covers the theoretical foundations of critical design and illustrates it by numerous examples. It also deals with the problems of design terminology and the point of contact between design and conceptual art. This course aims to encourage designers and artists to think critically and to offer new tools for their artistic and design practices. | Lecture | Test | Liene Jākobsone | Special subject for Erasmus+ students. | |||||||||||||||
MākZ6271 | Art in Public Space | 3 | The course aims to introduce the diverse manifestations of contemporary art in the public domain, exploring it in depth. The main goal of the course is to broaden the academic horizon by presenting and analyzing contemporary art events and highlighting their interdisciplinary nature, socio-political critical information, and exploration of alternative forms (lasting monuments, temporary art installations, art festivals, biennials, various interventions in a public contemporary art environment, value criteria in the contemporary art environment, etc.). The objective of the course is not only to inform and describe but to develop students' critical thinking, ability to think independently, analyze and evaluate contemporary art events in public space both in Latvia and worldwide. The course looks at the major artistic activities of the late 20th and 21st centuries in the public domain. Lectures present a wealth of visuals, as well as publicly available professional video materials (tate.org.uk, channel.louisiana.dk, royalacademy.org, moma.org, etc.), and DVD movie fragments. | Lecture | Test | Inese Baranovska | If the course is attended by Erasmus+ students, it is taught bilingually (in Latvian and English). | |||||||||||||||
MākZ6819 | Art and Culture in the Second Half of the 20th Century: Minimal and Conceptual Art | 3 | The course aims to give an insight into the minimalist and conceptualist artistic trends, their main representatives, and their typical work-creating strategies in a broader context of the second half of the 20th-century art, philosophy, politics, and ideology. The course will focus not only on visual arts, but also briefly on the direction of minimalism in music, literature, and architecture, as well as on the link between the emergence of conceptualism and the Fluxus movement and the musical avant-garde, focusing on the 60s and 70s, exploring the influence of the avant-garde art of the period on the different art world situations of the 80s and 90s and making comparisons with current events in Latvian and world art in the 21st century. | Lecture, seminar or discussion | Presentation | Jānis Taurens | If the course is attended by Erasmus+ students, it is taught bilingually (in Latvian and English). | |||||||||||||||
ELECTIVE SUBJECTS OFFERED TO ERASMUS+ VISITING STUDENTS | ||||||||||||||||||||||
Elective subjects for Erasmus+ visiting students offered by different departments in different specialties. The list of available elective subjects will be published shortly before the start of the semester with online registration. The number of elective subjects depends on the number of remaining ECTS required for the student after the student's basic curriculum of the department's specialty subjects, general art subjects, and humanities subjects has been approved by the department. | ||||||||||||||||||||||
MA 2 | ||||||||||||||||||||||
code | subject name | ECTS | type of class | type of examination | lecturer | additional info | ||||||||||||||||
THE DEPARTMENT'S SPECIALTY SUBJECTS | ||||||||||||||||||||||
Specialty subjects in the student's chosen subfield. These subjects account for a significant part of the total semester or study year programme percentage. | ||||||||||||||||||||||
MākZ6A27 | Mixed Media Composition | 4,5 | This course offers students the opportunity to explore and develop their abilities outside of a specific discipline. The course focuses on creativity and individuality. Critical discussions and theoretical debates are an opportunity to develop one's own, individual perspective. The students' technical knowledge is improved by complementary lectures, which allow them to acquire skills for working with different types of devices. Contextual studies of selected topics, based on experimentation with ideas, are examined in interactive discussions in the lecturer's presence. | Lecture, individual work, discussion | Assessment show | Armands Zelčs | ||||||||||||||||
MākZ6438 | Media Composition | 3 | Development of the creative assignment using different audiovisual composition methods. The expected result is a video composition or video installation project. Preliminary knowledge of video production technology is required. | Seminar, discussion, individual work | Assessment show | Mārtiņš Ratniks | ||||||||||||||||
MākZ7317 | Composition in Electronic Art | 3 | Thoroughly master the process of creating electronic media art, its specifics and context. To master and know how to use different means and technologies of electronic contemporary art expression. In-depth studying of different digital technologies, software and hardware to create artwork that links the real space with the computer and digital network environment. Learning and applying art research methods. | Lecture, practical work | Assessment show | Raitis Šmits | Bachelor's degree in visual arts or design is required. Basic knowledge of two-dimensional computer graphics, digital photo, video, and audio technologies, as well as basic knowledge of network technologies (HTML, CSS) is required. | |||||||||||||||
GENERAL ART SUBJECTS | ||||||||||||||||||||||
Students of all disciplines take general art subjects to gain
skills and understanding of academic drawing, painting, and sculpture. Study
assignments are designed to provide students with an opportunity to learn
about proportions, scale, and relationships between light and dark, and
creatively interpret the given setting and assignment at the same time. If a
department does not offer any of the general art subjects (drawing, painting,
design), it is possible to take it by joining another department or course. |
The department teaching the subject assesses the student's skill level and individually adjusts the assignments. | |||||||||||||||||||||
Drawing | 3 | Large-format drawings. Same task as for painters, sculptors, and graphic artists. | Practical and individual work | Assessment show | Elective subject | |||||||||||||||||
Sketching | There are no separate credits for sketching; students are marked for the Drawing course | Sketching the human figure for 5, 10, 15 minutes. Objective: the act of drawing using various materials (charcoal pencil, pencil, felt-tip pen, sepia, acrylic, ink, etc.), developing visual perception, transferring it to the sketch. Results to be achieved: a developed ability to understand proportion and to create individual handwriting in drawing using a variety of materials, taking a step back from the classical academic drawing. |
Individual work | Assessment show | An individual class without a lecturer | Elective subject | ||||||||||||||||
HUMANITIES SUBJECTS | ||||||||||||||||||||||
As theoretical lectures are delivered to the students of the Art Academy of Latvia in Latvian, some theoretical subjects in English are offered separately to the visiting students. | ||||||||||||||||||||||
MākZ1687 | Art History of Latvia | 6 | The course is taught to Erasmus+ students, and its purpose is to give an insight into and a general idea of the development of Latvian art history in a cultural and historical context. Alongside art history, the course provides basic knowledge of Latvian history, ethnography, and architectural history. The lecture course chronologically covers the period from prehistory to the 20th century. Visits to exhibitions and museums are organized as part of the course to broaden and improve students' knowledge and to promote connection with contemporary cultural progress. | Lecture, visits to exhibitions and cultural sites | Written course paper | Ieva Rosne | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1686 | Theory of Contemporary Art | 3 | The academic course deals with all the significant events in recent art history, starting from the international conceptual tendencies in the 60s, like land art, minimalism, Art Povera, Nouveaux Réalisme, Fluxus, and others, the postmodern narratives in the 80s and the 90s. The final part will be dedicated to the actual debates in the global contemporary art scene. Each lecture will be accompanied by rich visual materials, including films originating from museums. After finishing the course, the students will be able to recognize the most prominent personalities and their most iconic artworks. | Lecture, discussion | Presentation | Raimonds Kalējs | Special subject for Erasmus+ students. | |||||||||||||||
MākZ1677 | Anatomy | 1,5 | Digitalized and interactive anatomy for art and design students to improve their drawing, painting, and sketching skills in anatomy. Based on Anatomy Next anatomy learning tools for students and teachers. Anatomy Next is a very successful, world-known educational technology start-up to help students learn anatomy faster and more efficiently. | Lecture | Uldis Zariņš | Special subject for Erasmus+ students. | ||||||||||||||||
MākZ6753 | Critical Design | 3 | The course provides a general insight into design progress, starting from the '90s, introduces major developments in design thinking and approach, and provides an in-depth look at the "Critical Design" trend that emerged during this period. Throughout the course, students are introduced to the concept of critical design, its goals and techniques, and discuss the specifics of design as an information medium. The course covers the theoretical foundations of critical design and illustrates it by numerous examples. It also deals with the problems of design terminology and the point of contact between design and conceptual art. This course aims to encourage designers and artists to think critically and to offer new tools for their artistic and design practices. | Lecture | Test | Liene Jākobsone | Special subject for Erasmus+ students. | |||||||||||||||
MākZ6271 | Art in Public Space | 3 | The course aims to introduce the diverse manifestations of contemporary art in the public domain, exploring it in depth. The main goal of the course is to broaden the academic horizon by presenting and analyzing contemporary art events and highlighting their interdisciplinary nature, socio-political critical information, and exploration of alternative forms (lasting monuments, temporary art installations, art festivals, biennials, various interventions in a public contemporary art environment, value criteria in the contemporary art environment, etc.). The objective of the course is not only to inform and describe but to develop students' critical thinking, ability to think independently, analyze and evaluate contemporary art events in public space both in Latvia and worldwide. The course looks at the major artistic activities of the late 20th and 21st centuries in the public domain. Lectures present a wealth of visuals, as well as publicly available professional video materials (tate.org.uk, channel.louisiana.dk, royalacademy.org, moma.org, etc.), and DVD movie fragments. | Lecture | Test | Inese Baranovska | If the course is attended by Erasmus+ students, it is taught bilingually (in Latvian and English). | |||||||||||||||
MākZ6819 | Art and Culture in the Second Half of the 20th Century: Minimal and Conceptual Art | 3 | The course aims to give an insight into the minimalist and conceptualist artistic trends, their main representatives, and their typical work-creating strategies in a broader context of the second half of the 20th-century art, philosophy, politics, and ideology. The course will focus not only on visual arts, but also briefly on the direction of minimalism in music, literature, and architecture, as well as on the link between the emergence of conceptualism and the Fluxus movement and the musical avant-garde, focusing on the 60s and 70s, exploring the influence of the avant-garde art of the period on the different art world situations of the 80s and 90s and making comparisons with current events in Latvian and world art in the 21st century. | Lecture, seminar or discussion | Presentation | Jānis Taurens | If the course is attended by Erasmus+ students, it is taught bilingually (in Latvian and English). |